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Willem Claesz Heda
Breakfast Still Life with Blackberry Pie
1645
Staatliche Kunstsammlung, Dresden
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Willem Claesz Heda
Still Life 001
1651
Gallery of the Duke of Liechtenstein, Vaduz
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Willem Claesz Heda
Breakfast of Crab
1648
The Hermitage, St.Petersburg
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Willem Claesz Heda
Still Life with a Gilt Goblet
1635
Rijksmuseum, Amsterdam
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Willem Claesz Heda
Still Life
mk86
1631
Oil on panel54x82cm
Dresden,Gemaldegalerie Alte Meister
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Willem Claesz Heda
Breakfast Talbe with Blackberry Pie
mk156
1631
Oil on panel
54x82cm
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Willem Claesz Heda
Still life with a Lobster
mk170
1650-1659
Oil on canvas
114x103cm
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Willem Claesz Heda
Detail of Still Life with a Lobster
mk170
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Willem Claesz Heda
Style life
mk186
around 1630 Madrids, Museo del Prado
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Willem Claesz Heda
Style life with gilded cup
mk186
1635
Amsterdams, Rijksmuseum
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Willem Claesz Heda
Style life
mk186
1637 Antwerp museum Mayer van the Bergh
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Willem Claesz Heda
Style life
mk186
1637 Antwerp museum Mayer van the Bergh
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Willem Claesz Heda
Still life
mk244
1631
Oil on canvas
54x82cm
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Willem Claesz Heda
Stilleben
Date 1629
Medium Oil on panel
Dimensions 46 ?? 69.2 cm (18.1 ?? 27.2 in)
cyf
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Willem Claesz Heda
Stilleben
1634(1634)
Medium Oil on panel
Dimensions 43 ?? 57 cm (16.9 ?? 22.4 in)
cyf
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Willem Claesz Heda
Still-life
Date 1657
Medium Oil on canvas
Dimensions 52 x 74 cm
cyf
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Willem Claesz Heda
Nature morte aux pieces d etain
50 cm x 83,5 cm
cyf
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Willem Claesz Heda
Stilleben
English: c. 1640
Medium Oil on panel
Dimensions Deutsch: 58,5 ?? 79 cm
cyf
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Willem Claesz Heda
Dessert
1637(1637)
Medium Oil on panel
Dimensions 44.5 x 69.5 cm (17.5 x 27.4 in)
cyf
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Willem Claesz Heda
Breakfast Still Life
1637(1637)
Medium Oil on wood
cyf
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| Willem Claesz Heda
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1594-1682
Dutch
Willem Claesz Heda Galleries
Dutch painter. He was a still-life painter, who, like Pieter Claesz., is noted for his monochrome breakfast-pieces, which are, however, more opulent than those of Claesz. Heda earliest dated work is a Vanitas (1621; The Hague, Mus. Bredius), which shows a still-life from a high viewpoint, composed of various objects bearing vanitas associations (e.g. a bowl of glowing embers, smoker requisites, an overturned glass and a skull); the colouring is in brownish-grey tones and represents one of the earliest examples of a Dutch monochrome still-life (monochrome refers to the range of tones, rather than of colours). Even in this early work Heda skill at painting textures is evident. A more balanced composition is achieved in another Still-life (1629; The Hague, Mauritshuis) and in the Breakfast Table (1631; Dresden, Gemeldegal. Alte Meister), in both of which the objects, set against a neutral background, are linked by a strong diagonal. The Mauritshuis still-life also gives an early indication of Heda interest in painting the effects of light. In 1631 he became a member of the Haarlem Guild of St Luke (of which he served as deacon on several occasions after 1637).
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